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Our Approach to
Community and Recreational Drumming

The GC Community Drumming Grou adheres to the following guidelines and standards:

Group drumming, including community and recreational drumming has been shown to influence positive hormone and immune responses, activate all four lobes of the brain, increase focus and reduce isolationism, lack of connectedness, avoidance, and anxiety (Bensimon et al., 2008; Bittman, Stevens, & Bruhn, 2017; Landis-Shack, Heinz & Bonn-Miller, 2017).

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It is important to recognize these benefits but because the CDG does not provide therapy services it is important to provide complete transparency about what we do provide so that participants, the public
and the media do not interpret our services as a music therapy program.

 

The CDG provides services under the supervision of the Music Therapy Program of GCSU and as an outreach of the Georgia College Music Therapy Society. These services impact the following:

Education

Wellness

Social Skills

Healthy Habits

Cultural Diversity

Sense of Self and Introspection

Community Awareness and Interaction

Volunteerism

Responsibility

Advocacy 

Definitions

Drumming in Music Therapy: the ethical and therapeutic use of drumming as a rhythm-based strategy or intervention utilized to achieve a functional goal in areas of communication, academic, behavioral, emotional and cognitive health, social skills, gross and fine motor function, and/or to combat symptoms of specific disorders or mental illness.  Drumming in music therapy can only be conducted or facilitated by a board-certified music therapist to achieve specific goals and objectives providing prescribed directive, collaborative, and receptive techniques focused on music therapy domains (Das, 2011; Das, 2018; Matney, 2008). In music therapy the drum is used as a tool to meet specific needs in a structured intervention led by a board-certified music therapist. Drumming in music therapy may be passive (listening) or active (participating) and is adapted to the needs and abilities of the client or group.

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Community Group Drumming: structured drumming events planned and provided within a specific community or for a community event to express a common belief or interest. Community drumming works to break through cultural, racial and religious differences, encourage respect, inclusion and collaboration, start conversations and develop group dynamics. These groups may include a focus on diversity, emotional connections, public or private gatherings (e.g. education or business), mourning (e.g. traumatic events), celebrations (e.g. holidays or social events), networking and volunteerism (e.g. cancer awareness, veteran care, non-profit events) or spiritual growth (e.g. religious events), (Clare, 2008; Camilleri, 2002; Damm, 2015; Karow, 2019).


Recreational Drumming: functions as a structured and organized drumming group that promotes social interaction for fun and the sake of playing music together. Recreational drumming provides a safe and predictable framework for learning and communication. Common goals include meeting others, inclusion, belonging and acceptance as well as learning a new hobby or skill. Recreational drumming is a sharing experience generally considered an out of doors activity and may promote health benefits such as physical activity (Camilleri, 2002; Damm, 2015; Karow, 2019).

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Drum Circle: professionals in the United States and around the world have differing and changing views on drum circles. Arthur Hull, the modern father of the drum circle movement once explained that popular culture often perceives drum circles as free-form, not family friendly anarchist hippie gatherings (Mattingly, 2014). Drum circles are often associated with Shamanism, tribalism, public performance, music festivals, university gatherings, and the drug culture. Drum circles are specific activities that became popular in the United States in the 1960’s and have no direct connection to indigenous, tribal, cultural or spiritual functions. Group drumming in indigenous, tribal, cultural, Shamanistic and spiritual use have cultural functions dedicated to the indigenous peoples or groups that use specific techniques to achieve specific outcomes. Drum circles have also been described as self-organized or spontaneous events to promote social unity, and provide joy and self-expression through drumming (Das, 2018; Gardstrom, 2007; Kalani, 2002; Karow, 2019; Mattingly, 2014).

"If you’re not listening to the person next to you, then you’re just beating stuff up."

~Airto Moreira (on drumming)

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